Genuinely I had thought this discussion would long be over by now. 4 years ago most artists I spoke with already viewed the chain as secondary to the art. We made our choices based on accessibility, if the UX met our needs, not cultish allegiance. Yet it seems many of the “leading” curators/collectors in our space are still unable to fathom the idea of collecting art for the arts own sake. They simple will not take the time to explore, to talk to those who operate in differen

They will feed you an endless stream of effigies to keep the bonfires lit, just so they might sap the heat from you and it, for profit. I’d implore you to seriously look at the level of discourse that occurs nearly on everywhere online, but at this point you either must have seen it, or you aren’t the type of person to read a several paragraph post. The intensity of the vitriol poured out over the smallest thing. Reactionary outcries based on headlines not articles, a complet

I must have heard that request thousands of times in my five years as a dispensary worker. There was an assumption that the highest THC indica is the “best” you could get. But much like assuming the “best” art is the highest priced or most liked, it is a deeply flawed assumption. For much like art, choosing the “best” strain to smoke is a highly individualised and subjective process. I spent the better part of my last 2 years in the industry working on educating and explaini